Sculpture - 2 EP-3F-RZE2

1. Sitting act - using the compositional and formal foundations acquired during the previous exercises during the study of the model, drawing exercise - exercise on proportions and relations of masses, searching for a drawing equivalent of space -12 hours

2. Touch / Gesture - study of anatomical detail with elements of interpretation. The aim of the exercise is to study new elements of the sculptural language, develop the ability to observe and interpret nature, and to search for the possibility of including content in sculpture - 12 hours

3. Abstract concept - sculptural interpretation. Students draw their own concept (e.g. love, state, malice, etc.). With the help of artistic means involving space (workshop sculpture, sculptural collage, installation, performative activities) they try to create a plastic equivalent of this concept. Design works continue, with consultations, from the beginning of the semester, implementation takes place in its final phase - 12 hours

4. Technology of gypsum casting, making a negative copy (mold) and casting in a durable material (ceramic gypsum)

1. Sitting act - using the compositional and formal foundations acquired during the previous exercises during the study of the model, drawing exercise - exercise on proportions and relations of masses, searching for a drawing equivalent of space -12 hours

2. Touch / Gesture - study of anatomical detail with elements of interpretation. The aim of the exercise is to study new elements of the sculptural language, develop the ability to observe and interpret nature, and to search for the possibility of including content in sculpture - 12 hours

3. Abstract concept - sculptural interpretation. Students draw their own concept (e.g. love, state, malice, etc.). With the help of artistic means involving space (workshop sculpture, sculptural collage, installation, performative activities) they try to create a plastic equivalent of this concept. Design works continue, with consultations, from the beginning of the semester, implementation takes place in its final phase - 12 hours

4. Technology of gypsum casting, making a negative copy (mold) and casting in a durable material (ceramic gypsum)

1. Sitting act - using the compositional and formal foundations acquired during the previous exercises during the study of the model, drawing exercise - exercise on proportions and relations of masses, searching for a drawing equivalent of space -12 hours

2. Touch / Gesture - study of anatomical detail with elements of interpretation. The aim of the exercise is to study new elements of the sculptural language, develop the ability to observe and interpret nature, and to search for the possibility of including content in sculpture - 12 hours

3. Abstract concept - sculptural interpretation. Students draw their own concept (e.g. love, state, malice, etc.). With the help of artistic means involving space (workshop sculpture, sculptural collage, installation, performative activities) they try to create a plastic equivalent of this concept. Design works continue, with consultations, from the beginning of the semester, implementation takes place in its final phase - 12 hours

1. Sitting act - using the compositional and formal foundations acquired during the previous exercises during the study of the model, drawing exercise - exercise on proportions and relations of masses, searching for a drawing equivalent of space -12 hours

2. Touch / Gesture - study of anatomical detail with elements of interpretation. The aim of the exercise is to study new elements of the sculptural language, develop the ability to observe and interpret nature, and to search for the possibility of including content in sculpture - 12 hours

3. Abstract concept - sculptural interpretation. Students draw their own concept (e.g. love, state, malice, etc.). With the help of artistic means involving space (workshop sculpture, sculptural collage, installation, performative activities) they try to create a plastic equivalent of this concept. Design works continue, with consultations, from the beginning of the semester, implementation takes place in its final phase - 12 hours

1. Sitting act - using the compositional and formal foundations acquired during the previous exercises during the study of the model, drawing exercise - exercise on proportions and relations of masses, searching for a drawing equivalent of space -12 hours

2. Touch / Gesture - study of anatomical detail with elements of interpretation. The aim of the exercise is to study new elements of the sculptural language, develop the ability to observe and interpret nature, and to search for the possibility of including content in sculpture - 12 hours

3. Abstract concept - sculptural interpretation. Students draw their own concept (e.g. love, state, malice, etc.). With the help of artistic means involving space (workshop sculpture, sculptural collage, installation, performative activities) they try to create a plastic equivalent of this concept. Design works continue, with consultations, from the beginning of the semester, implementation takes place in its final phase - 12 hours

Słonina S., Masters of Sculpture, National Museum in Warsaw, Warsaw 2005
Chrzanowska-Pieńkos J (ed.), Figure in Polish art of the 19th and 20th centuries, Zachęta National Gallery of Art, Warsaw 1999
Hermansdorfer M., Between expression and metaphor, National Museum in Wrocław, Wrocław 1999
Simblet S., Anatomy for Artists, Warsaw 2004.
Kotula A., Krakowski P., Contemporary sculpture, Warsaw 1980.
Schanti A., Die Liebe zu den Objekten / The love of Objects: Aspekte Zeitgenoessischer Skulptur / Aspects of Contemporary sculpture, Springer, 2008.
Sculpture Quarterly "Orońsko", Center of Polish Sculpture in Orońsko.

Słonina S., Masters of Sculpture, National Museum in Warsaw, Warsaw 2005
Chrzanowska-Pieńkos J (ed.), Figure in Polish art of the 19th and 20th centuries, Zachęta National Gallery of Art, Warsaw 1999
Hermansdorfer M., Between expression and metaphor, National Museum in Wrocław, Wrocław 1999
Simblet S., Anatomy for Artists, Warsaw 2004.
Kotula A., Krakowski P., Contemporary sculpture, Warsaw 1980.
Schanti A., Die Liebe zu den Objekten / The love of Objects: Aspekte Zeitgenoessischer Skulptur / Aspects of Contemporary sculpture, Springer, 2008.
Sculpture Quarterly "Orońsko", Center of Polish Sculpture in Orońsko.

Słonina S., Masters of Sculpture, National Museum in Warsaw, Warsaw 2005
Chrzanowska-Pieńkos J (ed.), Figure in Polish art of the 19th and 20th centuries, Zachęta National Gallery of Art, Warsaw 1999
Hermansdorfer M., Between expression and metaphor, National Museum in Wrocław, Wrocław 1999
Simblet S., Anatomy for Artists, Warsaw 2004.
Kotula A., Krakowski P., Contemporary sculpture, Warsaw 1980.
Schanti A., Die Liebe zu den Objekten / The love of Objects: Aspekte Zeitgenoessischer Skulptur / Aspects of Contemporary sculpture, Springer, 2008.
Sculpture Quarterly "Orońsko", Center of Polish Sculpture in Orońsko.

Słonina S., Masters of Sculpture, National Museum in Warsaw, Warsaw 2005
Chrzanowska-Pieńkos J (ed.), Figure in Polish art of the 19th and 20th centuries, Zachęta National Gallery of Art, Warsaw 1999
Hermansdorfer M., Between expression and metaphor, National Museum in Wrocław, Wrocław 1999
Simblet S., Anatomy for Artists, Warsaw 2004.
Kotula A., Krakowski P., Contemporary sculpture, Warsaw 1980.
Schanti A., Die Liebe zu den Objekten / The love of Objects: Aspekte Zeitgenoessischer Skulptur / Aspects of Contemporary sculpture, Springer, 2008.
Sculpture Quarterly "Orońsko", Center of Polish Sculpture in Orońsko.

Słonina S., Masters of Sculpture, National Museum in Warsaw, Warsaw 2005
Chrzanowska-Pieńkos J (ed.), Figure in Polish art of the 19th and 20th centuries, Zachęta National Gallery of Art, Warsaw 1999
Hermansdorfer M., Between expression and metaphor, National Museum in Wrocław, Wrocław 1999
Simblet S., Anatomy for Artists, Warsaw 2004.
Kotula A., Krakowski P., Contemporary sculpture, Warsaw 1980.
Schanti A., Die Liebe zu den Objekten / The love of Objects: Aspekte Zeitgenoessischer Skulptur / Aspects of Contemporary sculpture, Springer, 2008.
Sculpture Quarterly "Orońsko", Center of Polish Sculpture in Orońsko.

Godziny kontaktowe
Wykład, ćwiczenia, korekty i omawianie koncepcji 45
praca warsztatowa w kontakcie z prowadzącym 30
przegląd zaliczeniowy 2 h
łącznie: 77 h

Samodzielna praca studenta
Własna praca warsztatowa 10 h
Przygotowanie do zajęć - lektury, filmy 5 h
Inne aktywności przygotowujące -( wizyty w galeriach i muzeach) 5 h
łącznie: 20 h

Razem : 97 godzin

Godziny kontaktowe
Wykład, ćwiczenia, korekty i omawianie koncepcji 45
praca warsztatowa w kontakcie z prowadzącym 30
przegląd zaliczeniowy 2 h
łącznie: 77 h

Samodzielna praca studenta
Własna praca warsztatowa 10 h
Przygotowanie do zajęć - lektury, filmy 5 h
Inne aktywności przygotowujące -( wizyty w galeriach i muzeach) 5 h
łącznie: 20 h

Razem : 97 godzin

Godziny kontaktowe
Wykład, ćwiczenia, korekty i omawianie koncepcji 45
praca warsztatowa w kontakcie z prowadzącym 30
przegląd zaliczeniowy 2 h
łącznie: 77 h

Samodzielna praca studenta
Własna praca warsztatowa 10 h
Przygotowanie do zajęć - lektury, filmy 5 h
Inne aktywności przygotowujące -( wizyty w galeriach i muzeach) 5 h
łącznie: 20 h

Razem : 97 godzin

Godziny kontaktowe
Wykład, ćwiczenia, korekty i omawianie koncepcji 45
praca warsztatowa w kontakcie z prowadzącym 30
przegląd zaliczeniowy 2 h
łącznie: 77 h

Samodzielna praca studenta
Własna praca warsztatowa 10 h
Przygotowanie do zajęć - lektury, filmy 5 h
Inne aktywności przygotowujące -( wizyty w galeriach i muzeach) 5 h
łącznie: 20 h

Razem : 97 godzin

Godziny kontaktowe
Wykład, ćwiczenia, korekty i omawianie koncepcji 45
praca warsztatowa w kontakcie z prowadzącym 30
przegląd zaliczeniowy 2 h
łącznie: 77 h

Samodzielna praca studenta
Własna praca warsztatowa 10 h
Przygotowanie do zajęć - lektury, filmy 5 h
Inne aktywności przygotowujące -( wizyty w galeriach i muzeach) 5 h
łącznie: 20 h

Razem : 97 godzin